Through a multidisciplinary lens of ceramics and painting, Stark explores the liminal space between twins, doppelgängers, and reflections, grounding these psychological phenomena in the rich soil of European mythology and folklore.

Drawing upon her Icelandic, Irish, and Scottish heritage, the work reimagines traditional fairytales as a framework for navigating the lived experience of loneliness, melancholy, and illness. Stark’s imagery captures the inherent friction of doubles: a delicate tension between the sanctuary of companionship and the restless pursuit of a singular identity.